Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus is a turning point in confronting the Holocaust and a breakthrough in serious comic art — but his full accomplishments are more remarkable and eclectic. ART SPIEGELMAN: DISASTER IS MY MUSE traces his beginnings in the 1960s as co-creator of the Wacky Packages trading cards; his co-founding of the underground comic magazines Arcade (with Bill Griffith) and Raw (with wife Françoise Mouly); In the Shadow of No Towers, his reaction to 9/11, inspired by witnessing the attacks from his home in lower Manhattan; his controversial covers for The New Yorker (1993-2003) that prompted the NYPD to raid the magazine’s office; and his public response to Maus’ recent ban by a Tennessee school board. Spiegelman proved an eloquent guide through his provocative work, along with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by Spiegelman’s unflinching confrontation with personally traumatic subjects.
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